With Resound NYC, Moby reconsiders not just the evolution of his own work, but also a time, a place, and even a transformation in our world: “When you think of the ’90s,” he says, “Bill Clinton was President; the rave scene was this utopian, idyllic world; the Soviet Union had ended; climate change was just an idea for a book that Al Gore was going to write. Back then, making music was this celebration of the potential that our world had, that our culture had. And now it’s almost a refuge in an at times terrifying and apocalyptic world.”
